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Smt. Sahasrabuddhe
Veena comes from a family of musicians. Her father, late
Pundit Shankar Shripad Bodas, was a disciple of Pundit Vishnu Digambar
Paluskar. Young Veena started her musical education with Kathak dance.
She was initiated into Khayal singing by her father and her brother,
late Pundit Kashinath Shankar Bodas. Padmashri Balwantrai Bhatt,
late Pundit Vasant Thakar and late Pundit Gajananbua Joshi have also
contributed
to her education.
The style she has created for herself retains the fundamental values of
Gwalior Gharana while borrowing somewhat from Kirana and Jaipur gharanas.
The vidwans laud the authenticity of her music while most listeners are
moved by its directness and intensity.
Apart from Khayal, she is sought after for her rich repertoire of
bhajans.
She has sung at all the prestigious venues and
occasions including Tansen Samaroh in Gwalior and Sawai Gandharva in
Pune. At the Vokalfestival in Stockholm and at the Voices of the World
festival in Copenhagen she represented Indian Classical Voice. She
has recordings under many leading labels. She has been awarded the Uttar
Pradesh Sangeet Natak Akademi Award for the year 1993.
Besides being a popular performer, she is also a composer and a teacher.
Her compositions adorn many of her recordings. She has taught voice at
institutions as well as privately. Currently she is an Adjunct Professor
at the Indian Institute of Technology, Bombay. Three of her advanced
students have been given National scholarships to study further with
her.
Critical Acclaim
Captivating- took her audience to dizzy heights of evocation by her
impassioned Khayal renditions Times of India, 1986
Imbued with tremendous melodic appeal
Indian Express, 1992
Despite inclement weather, drew a phenomenal turnout - did much more
than fulfil the expectations of her eager fans
Times of India, 1989
A concert to remember- clear pronunciation-
improvisation in keeping with word meanings- ability to develop an
instant rapport with the audience Times of India, 1995
Unforgettable recital- superlative performance - (held) her listeners
spellbound
Times of India, 1990
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